Module 3 (The Print) Large Format Photography Video Workshop by Tim Layton

In Module 3 (The Print) we complete the large format workflow and focus on making our images and prints whether you are printing in the darkroom or scanning your film. In the first two modules, you learned how to take control and use a large format camera and create exposures on your favorite films reliably and consistently, which leads to making great photographs.

MODULE 3 - THE PRINT

MAKING CONTACT PRINTS IN THE DARKROOM

- Selecting Your Light Source

- Using Variable Contrast Filters

- Establishing Your Standard Printing Time

- Making The Contact Print

SPLIT-GRADE DARKROOM PRINTING

- Overview of The Two Main Split-Grade Methods

- Making a Split-Grade Print Step-by-Step

- Archival Processing of Fiber Prints

- Selenium Toning

SCANNING LARGE FORMAT SHEET FILM 

- Scanning Strategies

- Dry Scanning vs. Wet Mount (Fluid) Scanning Methods

- Scanning Best Practices & Tips

- Scanning B&W Negative Film Case Study on Epson V700/750/800/850

- Scanning C-41 Color Negative Film Case Study on Epson V700/750/800/850

- Scanning E-6 Color Positive Film Case Study on Epson V700/750/800/850

- Drum Scanning vs. Flatbed Scanning 

PHOTOSHOP FOR ANALOG PHOTOGRAPHERS

- Overview

- Photoshop vs. Lightroom

- Importing into Adobe Camera RAW

- Master File Strategy

- Levels Adjustment

- Curves Adjustment

- Using Masking & Layers

- Using Gradients For Dodging & Burning

- Using the Advanced B&W Mode on Epson Printers

- Making a B&W Print

- Using ICC Profiles For Color Printing

- Making a Color Print

SUMMARY & CONCLUSION